Melissa’s Fight-Night

My television viewing is fairly limited. I like the occasional movie or Netflix series but mostly it’s sport and politics. So at the moment it’s the first cricket test between Australia and England and opinion shows on Sky News Australia and Fox News from the USA. I know that last bit will get me branded a racist, homophobic, transphobic, Islamophobic, misogynistic, climate denying, white supremacist by the socialist doctors’ wives collective but such are the burdens we who espouse common sense and human nature as our fundamental political tenets, are made to carry. For the child bride it’s who-dunnits, real estate, food and politics. She hated cricket until she met me.

Anyway, to the point of all of this. Last night in the early evening, we had exhausted the TV options so put on some music. If one is going to drink, one is much happier with accompaniment. When I say we put on some music I don’t mean we downloaded onto my phone some stuff from the iTunes Store and bluetoothed my phone to a stand alone speaker. I mean we physically took one of hundreds of CD’s from our CD cabinet, put it into a CD slot in our stereo player and turned up the volume. Call me old-fashioned.

The CB chose Melissa Etheridge, someone who would have no truck with my TV viewing choices, I’m sure. But then her sexual preferences don’t particularly appeal to me and her choice of father for two of her children (carried by someone else incidentally) – David Crosby – implies some potential genetic foibles down the track. Notwithstanding, we like her music. In fact we like it to the extent that we’ve seen her in concert, twice.

The first time was December 1995 when she accompanied The Eagles on their Hell Freezes Over Tour. The second time was in April 1996 when she toured on her own. And that, in a very roundabout way, is the subject of this very digressionary missive.

The concert was performed at an office building site which was then occupied by Festival Hall. That same office building now houses our financial advisor. Considerably more fun was had there when it was Festival Hall until it was demolished in 2003. Great concerts in a cosy environment included Yes, The Eagles (on their 1976 tour), Status Quo and, of course Melissa. Plus there was boxing and cheering for the bad guys while being showered with blood at World Championship Wrestling (RIP legends like Skull Murphy and Killer Kowalski). And the wrestling was legit back then – really. But not as legit as what we saw after the Melissa Etheridge concert – I’ll get to that. We even went to the Roller Game once – LA Thunderbirds v New York Bombers. I’ll never forget my father on his feet yelling “come on Ronnie” as Ronnie Rains literally ran round the track wearing roller skates and flung himself over a collapsed pack to win the game with seconds to go. That was legit too.

So, back to Melissa. On entering Festival Hall with the CB and her sister, I was somewhat perturbed to notice a paucity of males. In fact there was me and another bloke a couple of rows away. We exchanged nervous glances and girded our loins for the oestrogen express that was about to shirt-front us. We were seated in an elevated spot on the side. There was a seating area on the floor in front of us and a large block of seats was unoccupied until a few minutes before the concert when an army of buzz-cut flaunting, overall wearing, brickies labourers arrived. I think it was a busload of the Gold Coast chapter of Muffs Anonymous. And they were all pissed so you can imagine the hijinks….and the noise. To their credit though, they did confine the raucosity to between songs.

Melissa was thrilled she had such a devoted cheer squad which was basically everyone there except me and the other bloke (and the CB and her sister). And she played up to them by at one point commenting on how hot it was and how “moist” she was. The sisterhood swooned with orgasmic delight. Two people rolled their eyes. At that point I started to feel really sorry for her backing band – all males. After a rock concert usually the band (and the roadies) can look forward to the star’s cast-offs at the after-concert party but there would be no nooky for these poor bastards unless they were gay and played with each other both on and off the stage.

An ablution solution was also problematic for the girls (the straight ones). Neither of the two sitting with me had the courage to relieve themselves either alone or collectively for the duration of our time there. For me and the other bloke – not a problem apart from running the gauntlet of what could potentially be a resentful and hostile clutch. I’d have rather invaded a Hells Angels clubhouse dressed as the Village People policeman.

To give Melissa her due, she put on a good show and no doubt incited all manner of goings on afterwards. The Gold Coast bus driver would have seen some shenanigans through his rear-view mirror on the way back to broad beach, sorry Broadbeach.

However not everyone was happy. As the throng made its way down Albert Street towards the carpark a hullabaloo started somewhere close by. There was a lot of shouting as a red faced, ball fisted, hellcat stormed through the crowd, obviously looking for someone. That someone had attended the concert without her now apoplectic “friend” and she was cowering only a few metres away from us.

“Where’ve you been, you cunt” screamed the hellcat. And before the poor girl had a chance to open her mouth, HC smacked her with a right hook that wouldn’t have been out of place inside Festival Hall when Hector Thompson was on the card (you’ll have to look him up). She went down like the proverbial bag of shit and as the obviously alpha member of that partnership glowered over her beta’s shaking, crumpled body, we made our way to the carpark lest she make eye contact with one of us. You can’t beat a bout of brutal lesbian violence to round-off a pleasant evening.

Eagles

When the child bride and I relocated in April 2017 it had taken 12 months of marketing, six months of bridging finance the mafia would have been proud of, countless sleepless nights and almost as many grey hairs before we could move out of our acreage based country house and into our city based townhouse. On Friday this week (it’s now Sunday) my mother put her house on the market and on Saturday (yesterday) received an offer which was bang on the money. I consider this rather unfair. As unfair in fact, as favourite musicians dying while at the height of their powers. Which brings me to last night’s Eagles concert.

It was our sixth – 1976, 1994, 2005, 2009, 2015 and last night, the first since Glen Frey left the building in 2016. Now 2005 was called the Farewell 1 Tour which I guess makes last night’s concert part of the Farewell 4 Tour although they appear to have abandoned that naming protocol like Led Zeppelin stopped numbering their albums after 2,3 and 4.

Things have changed in so many ways, not least the Eagles line-up and their relative popularity. Back in 1976, the CB and I were wandering past the now demolished Festival Hall in Brisbane’s CBD and noticed on the hording above the main entrance that the Eagles would be appearing so we walked in to the box office where there was no queue and bought two tickets on the side, half way up and about 15m back from the stage. For all subsequent concerts getting similar tickets is like winning the lottery and you just about have to anyway to pay for them. So we each sold a kidney (now we’re on dialysis – the other two went for the Rolling Stones tickets a few years ago) and got tickets in a similar location, albeit in a different venue from all those years ago at Festival Hall.

As it happened, the seat location turned out to be rather problematic. I have to admit I’ve been doing it rather tough these past few weeks. Not genuine refugee tough but compared with a month ago, a bit challenging. If you read the few posts prior to this one you’ll see I had dental issues, an infection which turned out to be in my prostate which sent my PSA from a relatively benign 2.1 to something better measured by the Doomsday Clock and more recently a stiff neck which feels like my vertebrae have been fused together. So last night I had to either swivel to the right in my seat or gingerly turn my head to get a good look at what was going on. I had managed to turn it enough to be able to look straight at the stage but now my head is permanently locked at 10 minutes past the hour.

You thought this was going to be a review of the concert didn’t you and up to now the connection between this blog entry and the concert has been somewhat tenuous. But here goes.

The vocals and musicianship were predictably flawless so I’ll leave those aspects alone but there was one exception.

Joe Walsh forgot the first two lines of “Walk Away” and the magnificent screen behind the band had a ten foot high picture of his face on it at the time. They carried on regardless and never missed another beat. Status Quo would have admitted it and pissed themselves laughing about it but we’re dealing with a more serious entity here although everyone had a chance to chat and the mood was pretty relaxed throughout. But Joe is one of my favourite guitar players – the flamboyant artist to Steuart Smith’s technician – so he gets away with it. Add Vince Gill who selfishly combines terrific soaring vocals with stunning guitar chops – why does one person get to quarantine the outstanding talents of two – and you have a guitar line-up second to none in modern music.

A band with three gun guitarists plus two other competent players and a bass player lined up across the stage is my kind of band. Add five different lead vocalists and back-up musos who’ve been with them for decades plus an unrivalled back catalogue and I’ll be lining up for number 7 if the opportunity arises. By adding Vince Gill and especially Glen’s son Deacon Frey to the line-up, the average age of the band has plummeted. It doesn’t make the older guys any younger unfortunately and while 60 may be the new 40 (I’m prepared to stretch this even further) I’m not sure we’ll get to see 7 in Brisbane, if at all.

Of course it wouldn’t be a Brisbane concert (or Sydney, of Melbourne I expect, especially Melbourne) without the obligatory clown yelling “Aussie Aussie Aussie” and expecting the predictable follow-up. It didn’t work the first time and he got howled down the second time so mercifully, there wasn’t a third. I guess this is a reflection of the evolving demographics at Eagles concerts. We took our kids when they were youngsters (Hell Freezes Over in ’94 I think) and there were families there last night doing the same. So it wasn’t quite the Hollies or Status Quo crowd who we are starting to recognize and nod acquaintance to. But no doubt we’ll see elements of them and most of the Eagles crowd at Fleetwood Mac later in the year.

And to the prick who kicked a bottle of water all over my man-bag (phone, wallet, glasses, keys if you must ask), thanks for making it an even more eventful night.

My mother thinks Frank Sinatra was the duck’s nuts. I’m happy to listen to the duelling guitar solo (duet?) at the end of Hotel California on a continuous loop until I disappear into the flames.

For the record, here’s the set list. There were three encores and to all of those people who left after the first and second encores, hahahahahahahahahaha.

  1. Seven Bridges Road (all)
  2. Take it Easy (Deacon Frey)
  3. One of These Nights (Don Henley)
  4. Take it to the Limit (Vince Gill)
  5. Tequila Sunrise (Vince Gill)
  6. Witchy Woman (Don Henley)
  7. In the City (Joe Walsh)
  8. I Can’t Tell You Why (Timothy Schmidt)
  9. New Kid in Town (Vince Gill)
  10. Peaceful Easy Feeling (Deacon Fry)
  11. Love Will Keep Us Alive (Timothy Schmidt)
  12. Lyin’ Eyes (Vince Gill)
  13. Don’t Let Our Love Start Slippin’ Away (Vince Gill)
  14. Those Shoes (Don Henley)
  15. Already Gone (Deacon Frey)
  16. Walk Away (Joe Walsh)
  17. Life’s Been Good (Joe Walsh)
  18. The Boys of Summer (Don Henley)
  19. Heartache Tonight (Vince Gill)
  20. Funk #49 (Joe Walsh)
  21. Life in the Fast Lane (Don Henley)

Encore 1

  1. Hotel California (Don Henley)

Encore 2

  1. Rocky Mountain Way (Joe Walsh)
  2. Desperado (Don Henley)

Encore 3

  1. Best of My Love (Don Henley)

 

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