Cultural Notes

Recently the child bride and I went to the theatre (should that have a capital “T”?). We accompanied my brother and his family to watch his son and our nephew star in a performance of Spamalot. For those not in the know, Spamalot is a series of Monty Python sketches and songs attached to a theme similar to that enacted in the movie Monty Python and the Holy Grail. So we had the arrogant Frenchman proclaiming “I fart in your general direction” and the coconut shells making the horse clip-clopping sounds from the movie. And we also had some old favourites from the TV show like the fish-slapping dance and references to the immortal dead parrot sketch. Which sketches and references are incorporated into the production I think, are entirely at the director’s discretion.

As this musical (for sing they do) is set in the dark ages of King Arthur and Camelot you would expect peasants dying ugly, horrible deaths as occurs in pretty well all re-enactments of that particularly nasty time in our history (despite chivalrous knights rescuing damsels in distress) but, no. Only the Black Knight suffers any sort of harm and even afterwards can still hurl insults – not a bad effort when you have been relieved of both of your arms and both of your legs, not to mention fingers, thumbs, toes, elbows and knees.

I can’t recall the last time the CB and I graced the theatre with our presence if you exclude things like flamenco in Seville and puppet shows in Hanoi and acrobats in Beijing, all of which were parts of various guided tours. It’s not that we’re cultural philistines. Heavens, we once bought a painting. From an art gallery. But I’m guessing a Led Zeppelin tribute band at the local pub doesn’t really count. Incidentally, you can read about that sophisticated trip down memory lane on this very website. Our cultural proclivities may be few and far between but it doesn’t mean bogan and cerebral are mutually exclusive (except at the same time). So off we went.

Prior to the performance, another trip down memory lane was warranted. In our youth, me, my brother and our other brother all played for a cricket club which used a particular pub in a not particularly salubrious part of town, as its club-house. We would go there before games to fuel-up and after games to top-up. It was called the Prince Alfred and was your typical Aussie pub with a public bar which housed all the drunks and loud mouths, a private bar which loud mouthed cricketers decamped to and what is now a complete anachronism – a rarely patronised ladies lounge. Plus a few rooms upstairs for the patrons who were unable to walk at closing time.

As the area gentrified, the “PA” or “Down There” as it was variously known changed ownership, changed décor, changed clientele, changed its name to something gaudy and hip and frankly, became an absolute disgrace. More recently it has changed its name to the Lord Alfred, a hat-tip to its past but still a “pub” with couches and craft beers. Its clientele is still loud but wears short skirts and loafers and hipster haircuts.

Notwithstanding all of this, animal instincts never change. While we were there a fight broke out. Just like the old days except it was a bunch of millennials throwing drinks at each other and falling about because they were too pissed to let fly. Not a knife or broken bottle in sight. And security came from everywhere to escort the miscreants off the premises unlike in the good old days when the barman would leap over the bar and toss the offender/s out into the street. Unfortunately the falling about involved falling onto my brother’s other son and his mate who were with us. No damage done but free drinks for the boys.

With some faith in humanity restored, we set off for the theatre, a couple of hundred meters down the street. As the CB has been know to assert, it’s sometimes more entertaining to watch the crowd than the performance (don’t get me wrong – the performance was very good). So a group of what appeared to be friends occupied the seats in front of us and the man and woman who sat immediately in front of us were obviously friends because he put his hand on her seat and she promptly sat on it. Instead of leaping up in fright, she hunkered down and settled in. The CB and I glanced at each other and we settled in to watch this performance. Sadly not much else happened. After a few minutes she removed his hand, directed it round her shoulders and snuggled up to him. After the interval he fell asleep and snored through the entire second half.

I wasn’t only gifted something to write about in front of me but to the side also. Now, I’m not about to disparage the afflicted but sometimes you have to make exceptions. I was reminded of a certain character in the Mike Myers’ Austin Powers movies – specifically a large Scotsman called Fat Bastard. He sat next to me that night. How this kilted (honestly) behemoth levered himself into the seat and more to the point, got out of it again is beyond me. His partner was of similar proportions. I really felt sorry for their bed. And I make no apologies because the fat mcbastard, when he sat down, spread his kilt across my leg and his arm took up a third of my space. Still, it could have been worse. We could have been on a flight to London.

Eagles

When the child bride and I relocated in April 2017 it had taken 12 months of marketing, six months of bridging finance the mafia would have been proud of, countless sleepless nights and almost as many grey hairs before we could move out of our acreage based country house and into our city based townhouse. On Friday this week (it’s now Sunday) my mother put her house on the market and on Saturday (yesterday) received an offer which was bang on the money. I consider this rather unfair. As unfair in fact, as favourite musicians dying while at the height of their powers. Which brings me to last night’s Eagles concert.

It was our sixth – 1976, 1994, 2005, 2009, 2015 and last night, the first since Glen Frey left the building in 2016. Now 2005 was called the Farewell 1 Tour which I guess makes last night’s concert part of the Farewell 4 Tour although they appear to have abandoned that naming protocol like Led Zeppelin stopped numbering their albums after 2,3 and 4.

Things have changed in so many ways, not least the Eagles line-up and their relative popularity. Back in 1976, the CB and I were wandering past the now demolished Festival Hall in Brisbane’s CBD and noticed on the hording above the main entrance that the Eagles would be appearing so we walked in to the box office where there was no queue and bought two tickets on the side, half way up and about 15m back from the stage. For all subsequent concerts getting similar tickets is like winning the lottery and you just about have to anyway to pay for them. So we each sold a kidney (now we’re on dialysis – the other two went for the Rolling Stones tickets a few years ago) and got tickets in a similar location, albeit in a different venue from all those years ago at Festival Hall.

As it happened, the seat location turned out to be rather problematic. I have to admit I’ve been doing it rather tough these past few weeks. Not genuine refugee tough but compared with a month ago, a bit challenging. If you read the few posts prior to this one you’ll see I had dental issues, an infection which turned out to be in my prostate which sent my PSA from a relatively benign 2.1 to something better measured by the Doomsday Clock and more recently a stiff neck which feels like my vertebrae have been fused together. So last night I had to either swivel to the right in my seat or gingerly turn my head to get a good look at what was going on. I had managed to turn it enough to be able to look straight at the stage but now my head is permanently locked at 10 minutes past the hour.

You thought this was going to be a review of the concert didn’t you and up to now the connection between this blog entry and the concert has been somewhat tenuous. But here goes.

The vocals and musicianship were predictably flawless so I’ll leave those aspects alone but there was one exception.

Joe Walsh forgot the first two lines of “Walk Away” and the magnificent screen behind the band had a ten foot high picture of his face on it at the time. They carried on regardless and never missed another beat. Status Quo would have admitted it and pissed themselves laughing about it but we’re dealing with a more serious entity here although everyone had a chance to chat and the mood was pretty relaxed throughout. But Joe is one of my favourite guitar players – the flamboyant artist to Steuart Smith’s technician – so he gets away with it. Add Vince Gill who selfishly combines terrific soaring vocals with stunning guitar chops – why does one person get to quarantine the outstanding talents of two – and you have a guitar line-up second to none in modern music.

A band with three gun guitarists plus two other competent players and a bass player lined up across the stage is my kind of band. Add five different lead vocalists and back-up musos who’ve been with them for decades plus an unrivalled back catalogue and I’ll be lining up for number 7 if the opportunity arises. By adding Vince Gill and especially Glen’s son Deacon Frey to the line-up, the average age of the band has plummeted. It doesn’t make the older guys any younger unfortunately and while 60 may be the new 40 (I’m prepared to stretch this even further) I’m not sure we’ll get to see 7 in Brisbane, if at all.

Of course it wouldn’t be a Brisbane concert (or Sydney, of Melbourne I expect, especially Melbourne) without the obligatory clown yelling “Aussie Aussie Aussie” and expecting the predictable follow-up. It didn’t work the first time and he got howled down the second time so mercifully, there wasn’t a third. I guess this is a reflection of the evolving demographics at Eagles concerts. We took our kids when they were youngsters (Hell Freezes Over in ’94 I think) and there were families there last night doing the same. So it wasn’t quite the Hollies or Status Quo crowd who we are starting to recognize and nod acquaintance to. But no doubt we’ll see elements of them and most of the Eagles crowd at Fleetwood Mac later in the year.

And to the prick who kicked a bottle of water all over my man-bag (phone, wallet, glasses, keys if you must ask), thanks for making it an even more eventful night.

My mother thinks Frank Sinatra was the duck’s nuts. I’m happy to listen to the duelling guitar solo (duet?) at the end of Hotel California on a continuous loop until I disappear into the flames.

For the record, here’s the set list. There were three encores and to all of those people who left after the first and second encores, hahahahahahahahahaha.

  1. Seven Bridges Road (all)
  2. Take it Easy (Deacon Frey)
  3. One of These Nights (Don Henley)
  4. Take it to the Limit (Vince Gill)
  5. Tequila Sunrise (Vince Gill)
  6. Witchy Woman (Don Henley)
  7. In the City (Joe Walsh)
  8. I Can’t Tell You Why (Timothy Schmidt)
  9. New Kid in Town (Vince Gill)
  10. Peaceful Easy Feeling (Deacon Fry)
  11. Love Will Keep Us Alive (Timothy Schmidt)
  12. Lyin’ Eyes (Vince Gill)
  13. Don’t Let Our Love Start Slippin’ Away (Vince Gill)
  14. Those Shoes (Don Henley)
  15. Already Gone (Deacon Frey)
  16. Walk Away (Joe Walsh)
  17. Life’s Been Good (Joe Walsh)
  18. The Boys of Summer (Don Henley)
  19. Heartache Tonight (Vince Gill)
  20. Funk #49 (Joe Walsh)
  21. Life in the Fast Lane (Don Henley)

Encore 1

  1. Hotel California (Don Henley)

Encore 2

  1. Rocky Mountain Way (Joe Walsh)
  2. Desperado (Don Henley)

Encore 3

  1. Best of My Love (Don Henley)

 

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The Hollies – a Tribute to Time Served

The child bride and I took off for the Gold Coast on Thursday. The last time we went, to see Status Quo (reported on here), we hadn’t planned the most efficient route and therefore encountered about 47 red lights. This time we did it right which is just as well because the CB drove. I’ve been feeling like death warmed up since Wednesday or as an old boss of mine used to say “half fucked and let go”.

But I wasn’t going to let that prevent us from seeing the Hollies so, as I said, the CB drove. Now I’m not going to comment on her driving because we are safely back at home now. Suffice to say, I don’t tail-gate, I don’t lane-hop and I manage to keep my road rage more or less under control. And that’s all I’m going to say about that, as a great philosopher once said.

We’ve been lucky enough to see most of our musical heroes from our yoof so while it was great to see the Hollies last night, I’m sure there’ll be other opportunities because they tour relentlessly. They are probably the longest surviving band in history having performed and toured every year since the formative year of 1962 and the eventual settlement of most of the Rock and Roll Hall of Fame line-up in 1963. Bobby Elliot and Tony Hicks have been with the band since 1963 – no hiatuses (hiati?), no taking a year off to pursue individual projects. Now that’s stamina. Actually, we may not get to see them here again because as you can calculate, those two are getting on a bit.

After performing Bus Stop, Carrie Anne, He Ain’t Heavy etc etc etc for all of those years you’d expect them to be pretty tight. Of the other four band members, two have been there almost 30 years and the other two 15 years. So they are able to reproduce that typical sound. Peter Howarth, the lead singer said some heckler in the audience at a previous concert yelled out “I didn’t expect you to be this good”. That sound was honed back in the 60’s with some rather accomplished session musicians – how about Jimmy Page, John Paul Jones and Elton John.

And when they came on stage at the start, they were all dressed in white shirt, black tie, black trousers and shiny black shoes. The drummer had his top button undone and his tie was all over the place but that’s drummers for you. I haven’t seen performance uniforms like that since I went to see the Halle Orchestra in Manchester in 1973.

The crowd was the Status Quo crowd and the Eagles crowd – SKI’s (spending the kid’s inheritance), COB’s (cashed up bogans), GLAM’s (greying, leisured, affluent, married) and GOFER’s (genial old farts enjoying retirement). We were six rows from the front so I’m speculating on those who were behind up but I’m pretty confident in my CUOA (compulsive use of acronyms).

So as I said, I’ve not been well, in fact I’m not well now so this post is not quite as hilariously funny and irreverent as previous ones. The concert was a welcome distraction but I hit the wall a few hours later and woke up at 4.30am thinking I was sleeping on the inside of a water bed. Hopefully a course of antibiotics will do the trick. Personally, I think it was the mouthful of bacteria I experienced during a tooth extraction two weeks ago. Maybe the course of antibiotics that followed didn’t complete the job. Let’s hope (well you don’t have to but I certainly do) this course does the trick.

It’s all I can do to tap on these keys at the moment but it just goes to show – if the desire and incentive are there, adrenaline will get you though.

A Band by Any Other Name….

I just read an article about how bands like the Beatles and Pink Floyd and pretend bands like Coldplay got their names. It was interesting up to a point. The point being that they left out one of the world’s premier, if somewhat understated and underground, bands. I speak (write, actually) of none other than Not Garfunkel. The stories of how others got their names pale into insignificance when compared with the saga around our name. Did I mention that I was one of the founders of this iconic band and am currently the only member? Actually the others may still consider themselves to be members. It’s just that when I grab a guitar to play, I’m the only person in the room these days.

Back to the name. Son and girlfriend at the time came round to see the CB and me one night. The girlfriend was 24 and basically knew nothing about anything that had happened before her 18th birthday and outside this state. So when we told them we had tickets to see Simon and Garfunkel she explained that not only had she never heard of them but that it was a stupid name for a band.

Later that evening I announced that Saturday afternoon some mates were coming over and we were going to set up our gear on the deck and play some music and drink some beer. I forget which was used as an excuse for the other. Son asked if we had a name for the band and before I could answer girlfriend blurted out “It’s not Garfunkel is it?” And a legend was born.

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A Night Fit for a Queen

Another rollicking good time at the Hammo last night. It seems tribute bands are all the rage at the moment. It was Led Zeppellin a couple of months ago and we have Pearl Jam and Bon Jovi on the horizon. But last night it was the turn of Killer Queen, a tribute to Queen (obviously) dutifully attended by daughter, son-in-law, son-in-law’s mate and your humble correspondent.

Whereas the Led Zepp tribute sounded really good, not only did the Queen guys sound good, they even looked like Queen. So we had Freddy with the obligatory black short back and sides and the 70’s pornstar moustache, Brian May with the still black shaggy curls and John Deacon with the gravity defying front bouffant which looked like it was about to tumble down his face.

But make no mistake, these guys spent more time on music than appearance and nailed it. The night did, however get off to a rather confusing start. We were advised that the Freddy character was sick and the John Deacon character would do the singing. Now a lot of the Queen songs contain some pretty lengthy and unmistakable bass runs so I was a bit dubious as to how the poor bugger would be able to handle both roles. But as the intro to the first song was being played, out bounded Freddy like Trevor Gillmeister off his death bed in State of Origin III in 1995 to lead an unexpected triumph.

Of course there were those iconic moments to look out for and the crowd didn’t disappoint when it came to their (our) turn. Everyone remembers the head banging scene from Bohemian Rhapsody in Wayne’s World. This was faithfully reproduced by all of the women with long shaggy hair. Sorry, but it doesn’t work with a sensible haircut. And the spontaneous hand clap (well it was spontaneous at Live Aid in 1985) for Radio Ga Ga was there if a little disjointed. But we only had a few hundred people, not 72,000.

And when Freddy told the ladies that the next song was especially for them and the unmistakable intro to Fat Bottomed Girls started I scanned the fat bottoms for signs of rebellion but thankfully that potential tipping point passed without a descent into chaos or at least indignant detachment.

My review of the Led Zepp tribute also featured a crowd review because when we’re talking about bands with their origins in the distant past, all manner of enthusiasts emerge from the shadows. This time the attendees seemed a tad more middle of the road with more women than men by my estimation. I expected the gay community to be out in force and maybe they were, I just didn’t notice. Anyway, one thing’s for certain; when the band starts up all of the tall men and short women push their way to the front. Lucky the child bride wasn’t there or she would have been somewhat miffed.

At the end I commented to my daughter that most of the songs we heard were recorded before she was born, some of them a decade or more before she was born. I don’t know how to adequately explain this but it’s like time has condensed or concertinaed in recent decades. Had I been her age and we were listening to music from a similar time in my past, we’d be listening to Glen Miller and when I was 30 that was never going to happen.

The Song Does In Fact Remain the Same

Last night was a trip down memory lane – back to the times when we spent hours standing in smoke filled rooms getting our ear drums assaulted. The only differences last night were the complete absence of cigarette smoke (or any type of smoke for that matter) and the difficulty in standing for two hours without both knees locking up.

Yes, the child bride, the son-in-law (who kindly provided the tickets), one of his mates and I attended a Led Zeppelin tribute concert at the local Hamilton pub. The Hammo has an upstairs room with a laughable VIP section right at the back, a very long and well attended (both sides) bar, very few tables and chairs and a stage just big enough for a four piece band and all of their gear. Actually, that’s not quite true – two of the speaker stacks were on the floor in front of the stage. So they were just a little bit closer to us. We were about six or seven metres from the stage.

Of course a Led Zep tribute band doesn’t work unless the singer sounds like Robert Plant. This guy pulled it off with aplomb although the little thermos he occasionally sipped from, I’m sure was filled with honey and Lemsip, rather than vodka. Getting through Stairway to Heaven which starts slow and low and finishes fast and high would challenge the most muscular vocal chords let alone two hours of high pitched wailing.

Listening to the real Led Zep taught me the value of a tight rhythm section. Forget Plant and Page. It was Jones and Bonham who held it together. The two P’s were always keen to demonstrate their virtuoso capabilities with musical and vocal flights of fancy but it was the other two who kept herding them back onto the straight and narrow. Without them, the more complex songs would have become a self-indulgent cacophonic mess. And so it was with “Song Remains” which I believe was the name of the band in question. No, not a cacophonic mess, a rhythm driven performance.

Every time the base player hit a note it felt like I’d been punched in the lungs and the base drum is still pounding my skull 12 hours later. However I could have done without the 10 minute drum solo. I thought drum solos had gone out with Iron Butterfly and Cream. Still it gave the other guys an opportunity to indulge the rock god/groupie paradigm with some of the “girls” from the audience. Or maybe they just had a rest.

I’m assuming now that these guys haven’t been too successful to date although that would be a shame because they are very talented. What drew me to this conclusion was the fact that the guitarist only appeared to have one guitar. In a four piece band where one of the four doesn’t play an instrument and two of them are keeping the beat, the fourth has to fill a considerable musical void. So the distortion level is turned up to broaden the sound but not to the extent that it disguises those famous riffs. That’s all very well on Rock and Roll and The Immigrant Song and Black Dog but doesn’t work at all on Stairway to Heaven where a much cleaner sound is required. A pedal would have done the trick but he must have left it at home. Knit-picking I know because he did manage to sear a trench between my ear-drums as those famous riffs were being meticulously reproduced.

We’ve been to see a lot of the bands of our youth in recent years – Rolling Stones, Status Quo, Eagles, John Fogarty, Mellencamp and others – and as the CB says, it’s as interesting to observe the crowd as it is the band. And so it was last night. When we arrived there was a group of skinny seventy somethings who looked like how you would imagine Spinal Tap would look today. Where these people hide during the day is beyond me. We thought they may have been the band. They weren’t but they did park themselves right next to the aforementioned floor mounted speaker stacks from start to finish. They may have been the road crew but didn’t seem capable of lifting their heads such was the mass of hair, let alone a massive speaker.

And of course there’s the obligatory wanker who wants to work his moves and doesn’t care about bumping those near-by or jumping in front of others while the missus feigns indifference. No doubt he had ambitions of indulging the rock god/groupie thing when they got home. I hope she had a headache for the ages.

And have you noticed how in a crowd, if you leave a space, someone will come and stand in it. It’s like waiting for your luggage to appear on the carousel at the airport. Unless you are hard against the carousel, someone will come and stand in front of you. So we had a reasonable area around us which respected our and others’ personal space and then the Andrews Sisters came and occupied it. Their jiggy little coordinated dance move where they hopped from one foot to the other would not have been out of place at a Barry Manilow concert. It was absolutely unacceptable at a rock and roll concert.

As the CB is fond of saying, I’m getting grumpy in my oldish age. That may be true but I prefer to characterise it as reducing tolerance for idiots whose indulgences reduce my enjoyment of an event. And if you believe life’s too short, that’s non-negotiable. Notwithstanding crowd induced minor irritants, it was a great night.

As an epilogue, we got home in time to see Djokovic beat Nadal 10-8 in the fifth at Wimbledon after Anderson beat Isner 26-24 in the fifth in the other men’s semi final. The equally remunerated women’s final was a 6-3 6-3, 65 minute romp. If you believe in the gender pay gap, there’s a perfect example of one. But that’s another story for another day.

I Went to See “The (chortle) Boss”

Well I have to admit to being suitably chastened.

Bruce Springsteen was in town and while I like a lot of his music (notwithstanding the wankerish, farcical, working class pretence of a lot of his lyrics), it’s never been enough to make me want to go to one of his concerts. Why would I want to listen to a champagne socialist with a few hundred mil in the bank, houses all over the North American continent and who flies everywhere in a private jet and have to listen to typical social justice warrior hypocrisy on how we’re destroying the planet and did I mention that Trump is Satan.

Friends of ours had a spare ticket for his concert here in Brisbane and asked me if I wanted to go and naturally I jumped at the chance. Two can play this hypocrisy game. It was sensational – fair cop me! And there was little time for commentary because there were mostly no breaks between songs. Talk about relentless. His only vaguely SJW comment referred to a charity which collects unused food from restaurants etc to distribute to the homeless and they were fundraising outside the venue. He recommended contributing – fair enough. And it was Valentine’s Day so there was a massive plug for the blokes to buy flowers for loved ones even if it’s just a crumby old single rose. Incidentally, and I’ll give myself a plug here, when I was last in full time employment I used to buy a rose for the mothers on our floor on Mother’s Day. No one ever bitched about me (that I was aware of) – management in action. Oh, and being Valentine’s Day it was only fair that I be at a concert while the child bride was a home watching I’m a Celebrity – Get Me Out of Here.

Anyhow back to Bruce. He did a few things I have never seen in a concert before and I’ve been to a few. Firstly he got up close and personal with the crowd in that he actually waded into the crowd – the standing only part at the front. He let kids strum his guitar during one song. He crowd surfed – can you believe it – about 20m across the standing area back to the stage. As far as I could tell, none of the women tried to confiscate his cruet as he passed overhead. Maybe his wife’s presence on the stage as part of the band put a dampener on that. Then during “Dancing in the Dark” he inevitably (if you’ve seen the clip of the song) invited a girl on stage to dance. Then another, then another, then another, then a bloke (??) then a young girl who looked about 8. All up about nine people invited on stage with one dancing on his pianist’s grand piano (he looked a tad pissed). Then the 8 year old got to sing a few bars.

Only one word for all of this – respect. Bruce, you’re still a social justice warrior wanker but you sure can put on a show.

Back for My Birthday and The List

The aftermath of 4 weeks in Europe.

After 4 weeks on the road (and on the sea and in the air to be more precise) and gastronomic, oenonic and beeronic overindulgences of the moronic rather than lessonic kinds you can imagine that our immune systems were vulnerable to attack so the child bride and I duly came down with catastrophic colds yesterday. Last night my nose, throat and lungs felt like Helms Deep under orc assault with Gandalf and the cavalry not due to arrive until about Friday. Consequently, on this my 60th birthday I feel like doing not much at all really. But this does allow the time for a degree of contemplation of something of vital importance.

If you have passed 60 already you will have received The List. No one knows where it comes from or who sends it or why. It does however provide guidance (as if any was needed, we’re 60 after all) for the twilight (zone) years of our lives. If you are over 60 you need read no further as you will have received your List already. If you are well past 60 you will have received it by post in an envelope with no return address. If you are well under 60 you will not know what I am talking about in that previous sentence (if you know what a sentence, of the grammatical not prison kind, is).

The List I received goes as follows:

1. Health
We, the human race, are living longer. For this reason we are apparently imposing an increasing burden on the health system. Now it stands to reason that if we are living longer we are actually healthier so there is an obvious contradiction here. Notwithstanding this, for the over 60’s the health system is a veritable pub smorgasbord of drugs and treatments to be taken advantage of at every opportunity. Over 60’s have lost all respect for the user pays system because we’ve paid and now it’s time to use. The younger “me generation” is going to have to come to grips with that as total economic melt-down looms because, as yet, they haven’t. Over 60’s won’t because we’ll all be dead, possibly from a drug overdose.

2. Education
a. English
English is about communication. This involves more than abbreviated texting and sexting (in the words and clothes departments respectively) via various devices. These are for making phone calls so people can speak to each other in well constructed sentences. Over 60’s understand this. They also understand that punctuation is not something you do in a colonoscopy bag.

b. Mathematics
Over 60’s can perform addition, subtraction, multiplication and division in their heads. They also know what these things are.

c. History
Over 60’s love history because they have more of it than the young. Stuff happened before the internet. You can use it to check.

3. Sex
For men over 60, sex can be likened to pouring your last can of petrol on the fire. This is a euphemism (for a metaphor) for attaching your superannuation to a fish hook, dangling it in a pool of pre-cougars, catching a trophy wife and going for it until the fire flames out in about 6 months. Then it’s over, assuming the money’s run out also. For married women over 60 this list item has no relevance.

4. Music
In our over 60s’ music, performers actually sing. More recently this has not necessarily been the case. Remember MC Hammer? “Thanks for talking us through that song MC. Now can you sing it and add a few musical instruments to that boring repetitive bass line? Oh…that’s it?” He’s got a lot to answer for. We of the Rolling Stones generation look forward to hoe rap clones scratching each other’s eyes out and the gangsta rap clones shooting each other into extinction. Either way the biggest con in musical history has a limited shelf life. Now leave us to our country and western heavy metal – a tuneless noise about hay – and dreaming about the hedonism of 60’s and 70’s rock.

5. Dancing
Over 60’s don’t or shouldn’t dance. Unfortunately some wish to retain this right. Fortunately the Dad Dance phase is well and truly over by 60 and if you must, it now involves anchoring your feet to the ground and swaying your arms to the music, generally with a small child attached to them.

6. Sport
All references to sport must now begin with the phrase “Back in my day…” as in “Back in my day these poofs wouldn’t have lasted 5 minutes with Lezzy Boyd, Greggy Dowling and Artie Beetson.” All given names (we used to call them Christian names) must end with “y” or “ie”.

7. Injuries
The above sport reference applies equally to sporting injuries as in “Back in my day we’d play on Sunday and go down the mine with a broken leg, a dislocated shoulder and concussion on Monday”.

8. Religion
Most people don’t have any anymore but over 60’s reserve the right to a gradual return especially if the church is putting on free food or more importantly, free booze. The logical extension of this process is the death-bed conversion, just in case.

9. Free Stuff
We deserve it and the rest don’t. They have to pay for it. Simple.

10. Working
What’s that? Hahahaha

11. Fashion
Back in the day when today’s over 60’s were dedicated followers of fashion, it meant something if you wore jeans and thongs. It meant you also wore a flanno and had a mullet which were quite popular for a while there amongst a certain demographic. Some over 60’s now feel comfortable with fashion faux pas such as wearing socks with sandals, a crime for which you can be shot incidentally. And for the over 60 ladies the transition from frilly and filmy to industrial strength is now complete.

12. Drinking
Once you crack the big 6 oh there is no reason to ever buy a drink again. If you find yourself in a pub in a shout with younger members of the community it is likely that they will tell you to take your hand out of your pocket when it is your turn to shout. This behaviour should not be discouraged. In fact it should be actively encouraged by constantly complaining about the bloody government and its treatment of the backbone (sciatica notwithstanding) of the community and you can’t make the pension go as far as it used to blah blah blah. And anyone who doesn’t think we’re the backbone, may we suggest a headcount (see Health).

13. Birthdays
As a youngster, birthdays involve waking up in a pool of your own vomit with a new face tattoo. The older generation is satisfied with more material but no less cheap thrills. Like for the mature man a trip down memory lane with a “look but don’t touch” pass. May we suggest a particular place that unnecessarily interrupts football games with displays of….and…..and beer.

14. Gifts
Birthdays (if it’s yours) are about receiving gifts. Unlike the economy, which many youngsters of a socialistic bent think is a zero sum game, gift giving actually is i.e. every time one gift is given, one is received. We over 60’s know which side of that equation we want to be on.

15. Cars
Over 60’s know that as phones are for making phone calls, cars are for getting you from A to B. Unlike with phones however, we like the toys that come with cars. But we are torn between getting the GT super sport pack or going on another cruise. Convertibles are a particular dilemma. These are for very young people but because most very young people can’t afford a decent convertible, special dispensation has been given to the over 60’s to buy them. Looking ridiculous in a convertible is an issue for people who want “the look” but is irrelevant to over 60’s who revel in not giving a stuff about what they look like (see Fashion).

16. Aging
This brings special privileges which are called brain fades or mental blocks or senior moments or CRAFT as in Can’t Remember A F—ing Thing moments. These involve issues such as going into a room then having to contemplate the exact reason for going in there in the first place.

17. Political Correctness
Over 60’s don’t do political correctness. It’s for well norked celebrities with their climate off-sets and private jets and bureaucrats, academics and ABC types who think they’re distantly related to Evonne Goolagong. If you take offence then put the bloody thing back before the cows escape. Now, did you hear the latest Irish/Polish/Kiwi/Arab/Jewish/Catholic (insert ethnic/religious group to be ridiculed) joke?

18. Politics
This is not relevant. Over 60’s know all there is to know about politics. From one me-generation (baby boomers) to another (the young), don’t worry, it’ll all be fine. We’ll spend our super and you can spend the tax we contribute. Oh that’s right, we don’t contribute tax anymore. Hahahahahaha.

Status Quo

Driving from Brisbane to the Gold Coast hardly qualifies as travelling but if it’s to see one of the greatest rock and roll bands of all time – Status Quo – on possibly their last tour, and certainly last in one regard which I’ll cover below, then I’m prepared to extend the definition. Besides, they came all the way from England so to drive an hour or so to see them seemed only fair. Incidentally, while sitting at our hundredth or so red light I was beginning to think this was not such a good idea. There are more red lights on the Gold Coast than the Reeperbahn, Kings Cross, the Rossebuurt, Roppongi, Patpong and the White House (during the Clinton era) combined. You’ll have to look those places up if they don’t all ring a bell. I’ve been in the same city as all of them except the White House. That’s how I knew.

The concert was held last night at the Star Hotel and Casino at Broadbeach on the Goldie and what an eclectic crowd that place attracts. Everyone from fake ID’d teenagers with their arses hanging out of the shortest of tight, short skirts to 90 year old Chinese grannies. Of course being a casino, the gambling obsessed Chinese are ubiquitous. The crowd that filtered out of the casino and into the theatre to see the Quo were more akin to an Australian Conservatives gathering (in appearance) although I don’t think the average Australian Conservatives crowd would know all of the words to Status Quo’s extensive back catalogue. There were a few outliers with grey ponytails, some sported by women, but since Francis Rossi cut his off a few years back it seemed like a rather superfluous gesture. And there were a few kids who’d been dragged along by their parents (or grandparents) as we had been known to do with ours some (many) years back.

There are some fundamental differences between a Quo/Stones/Eagles (our last three concerts) crowd and a Taylor Swift (for example) crowd, not least minor things like age, fashion, size (individual as opposed to collective) and willingness to pay exorbitant amounts of money for tickets although to be fair, that only applied to the Stones and the Eagles. But one thing is quite similar I assume, although not having ever been to a social media fuelled, hormone busting, like, best everrrr Justin Bieber concert I can’t be certain. Youngsters can be quite rude because many have not been schooled properly in common courtesies and oldsters can be quite rude because “I paid a bloody fortune for this ticket so I’ll come and go as I bloody well please…and spill beer on the person in the row in front as I squeeze past in the dark”. The young country singer who opened for Status Quo was very adept at embarrassing the latecomers, much to the amusement of the more polite section of the crowd. Take a bow Travis Collins.

The show was called “Last Night of the Electrics”. After this tour is finished it’s acoustic or aquostic as they call it, from then on. Not surprising really when you consider the number of shows they do and have done over the years (more than most) and the volume at which they perform. Their ears (certainly Rossi’s) must be mush. Just on the noise thing, the child bride and I saw them in 1976 at Brisbane’s now demolished Festival Hall. We were six rows from the front and my ears were still ringing when we took our seats last night, 41 years later. If Spinal Tap’s amplifiers go up to 11 then Quo’s go up to 12. Having said that, last night’s show was loud but manageable in the aural department but we were two rows further back in row 8 so that may have been why it didn’t seem as loud as in 1976.

Rather than “Last Night of the Electrics” I would have called it “Still Having a Bloody Good Time”. If I could magically transform my very modest musical ability into something a bit more respectable, to the extent that I could hold my own in a top echelon band, I’d want to be in this one. Of course I’ve said that every time we’ve seen the Eagles (five times) but that’s more from a technical excellence perspective than a fun perspective. I also thought it would be a hoot to be in Tom Petty and the Heartbreakers but now that Tom has left the building, it would hardly seem the same. No, when a bunch of musicians laugh at each other and take the piss when they (rarely) make a mistake that we mostly don’t even notice and then let the crowd in on the joke, that’s the band for me. None of this hunched over the instruments, terminally serious Radiohead bullshit for me. Or Eric Clapton demonstrating virtuoso capability but not uttering a word other than “thankyou” or cracking a smile for a whole concert.

I love that there’s no preaching and no sentimentality with these guys. There’s certainly banter and audience interaction but no preachy social justice warrior hypocrisy and promotion of pet causes. There can’t be too many diseases or inequalities left that don’t have some second rate celebrity’s name attached to them. There wasn’t even a mention of Rick Parfitt. Some bands would have put a telecaster on a stand in the corner or a cardboard cut-out or some such tribute on the stage. But they didn’t. But I reckon Francis did his own little tribute. At one point everyone else left the stage, even the drummer and Francis played the intro to a song on his own in semi darkness, a song Rick used to intro. Maybe I’m wrong – doesn’t matter because it works for me.

One more difference between 1976 and 2017. Back then, as soon as they started to play everyone stood up. Not such a big deal when you’re six rows from the front but when everyone in front of you stands on their chairs you have to follow suit. The cute but diminutive child bride was not impressed. Now, we (the typical Status Quo audience) prefer to stay sitting down. Some did get up and dance and good luck to them as long as they don’t dance in front of me. The girls with their Stevie Nicks hair-dos wave their arms around and blokes do Dad dances and think they’re cool. Even I know they aren’t. But as long as I have an uninterrupted view of the stage go ahead and act like a dork.

We got to the second and last song of the encore before the All Blacks front row immediately in front of us stood up. I thought the concert was over because it went dark all of a sudden but I could still hear muffled music, like it was coming from a radio in an adjoining room such was the totality of the wall erected in front of us. I looked at the woman sitting next to me (not the CB, the other side) and we shrugged our shoulders and stood up – what else could we do. No amount of “DOWN IN FRONT” which usually works at the cricket and football, was going to work here.

Brilliant show. That’s another tick on the bucket list.

A Bit More of the Music Died – RIP Tom Petty

I wrote this on January 19th, 2016, the day after Glen Fry died. I am repeating it here on the occasion of the untimely passing of Tom Petty, one of my all-time favourites. The sentiments are unchanged.

A Tribute to Glen Frey and Those Who Preceded Him

Back in the day, to succeed in the entertainment business you had to firstly have some talent. It wasn’t necessary to be the Stephen Hawking of your field but you had to have something unique plus a work ethic and perseverance such that what talent you had was honed into something an audience would respond to – positively hopefully. As a youngster with musical ambitions you pick up a guitar or a violin or sit at a piano and play it until it emits something that doesn’t replicate the old finger nails down a blackboard sound. You write some lyrics that initially sound like the sort of crap regularly produced by rap so-called “artists”. You know the stuff – like the doggerel graffiti we used to scrawl on toilet walls as kids. And then you write something else. Then you listen to and watch those whose work inspires you. Then you do it all again.

The people who succeeded kept at it. It took the Stones for example, years to write an acceptable (to them) song. They and their peers all practiced and worked and starved and practiced and took some drugs to stay awake so they could practice some more. They performed in shit-holes in front of drunks but gradually the decor improved and the audience sobered up and the venues grew. Think of those who have stood the test of time either through their music or as performers – the Beatles, the Rolling Stones, Kiss, AC DC, the Who, Tom Petty and the Heartbreakers, Deep Purple, Fleetwood Mac (versions I and II) Guns N Roses, Status Quo, the Doobie Brothers, Grateful Dead, David Bowie, Dylan, Lemmy and locally, people like Barnesy and Chisel.

The Eagles epitomise this. Compare their really early live work (still pretty good admittedly) to what they have turned out in recent years. Some people call it over-produced and just too perfect. Others appreciate the talent, the time and the work that goes into producing works of art, whether you like it rough round the edges or smooth as silk. But you can’t deny the mastery that produces the words and music of Hotel California.

Glen Frey died today and at 67 still had years of excellence ahead of him. It’s hard to imagine the Eagles carrying on without him and I’m not sure they should. We saw them five times over 39 years – every time they came to Brisbane. And I’ll still be listening to their music and watching their shows long after Australia’s Got Talent and The Voice and other shouting competitions have been confined to the garbage can of history.

Speaking of instant fame, it’s interesting to observe how people get noticed now compared with the pre social media and reality TV days of yore. Consider the following – a drug habit, a drink problem, a troubled childhood preferably with one parent and even better (cynically) the victim of abuse, an early brush with fame (we used to call this being a “groupie), regular wardrobe malfunctions, a stint in jail for unpaid traffic offences or drug induced shoplifting, some plastic surgery, a sex tape, a stint as a celebrity lesbian, the subject of unsubstantiated rumours, abusing a Twitter account, having “colourful identities” as friends, hooking up with someone exactly like you and generally behaving like a wanker. If you can tick half a dozen of those boxes, welcome to the world of celebrity. This automatically makes you an expert on climate change, famines, world peace and nail polish and gets you on the judging panels of those short-cut to fame and fortune (closely followed by obscurity again) talent shows.

Assuming there’s a rock and roll heaven, Glen Fry and Bowie and Jack Bruce and Jerry Garcia and Roy Orbison and Lou Reed and now Tom Petty and all those members of the 27 club like Jimi Hendrix, Jim Morrison, Amy Winehouse, Gram Parsons and Janis Joplin must be wondering why they bothered.

But I, for one, am glad they persevered and practiced and worked and drank and partied and shagged (all work and no play makes Keith a dull boy). Because out of all of that came the music of our time.